Whose “lived experience” matters most? (article)

Whose “lived experience” matters most? (article)

There is a new belief that any debate about racial inequality – its causes, impacts and solution – should be driven by those with ‘lived experience’. Increasingly, funders are embedding this thinking into policy, making participation of people with ‘lived experience’ part of their funding criteria. And white leaders are using it to excuse themselves from race conversations – or at least to be less vocal. 

The intention is good; to increase the impact of social justice programmes and to empower those affected by giving them a say in the programme design and implementation. But it raises serious questions about the benefits of relying on lived experience in dealing with racial inequalities.

How do we decide which lived experiences matter most, given the ever-increasing fragmentation of identities and perspectives on solutions to racial inequity? And within current power structures, can white people ever be excluded from driving solutions on racial inequality? 

Activists versus Assimilationists

According to YouGov research, 84% of people from black communities say they have experienced racism to some extent and agree action needs to be taken to eradicate it. However, this belies the fact that although we share lived experiences of racism, we each process and cope with them differently. As a result, views vary widely on strategies for addressing the problem. 

Within my friendship group alone, opinions range from those who believe that racism is best challenged through social and political action (Activists), to those who think our energy is better spent ‘fitting in’ and becoming successful (Assimilationists). 

These strategies vary not only between socially defined racial categories but also within these categories (e.g. Black, East Asian, South Asian etc). And of course, different people balance these strategies in individual ways. Given the range of possible responses, how do we actually decide who to listen to when implementing solutions.  

Usually, the lived experience of the most vocal takes priority over those who are politically quieter. Activists shout louder than Assimilationists and hold sway when influencing the language used in communications (political correctness), publicly stated positions (PR) and policy on racial inequity. But rarely does this convert to real change in practice.

The money does not follow the strategy

Taking the arts sector – and the Arts Council in particular as illustration – all its major policy communications talk about creating a more inclusive sector with a greater diversity of arts output. But if we follow the money, it’s clear their policy on grants distribution is neither inclusive nor diverse.

Only 2.4% of ACE funding goes to Black-led institutions – this should be 14% if distributed in proportion to the BAME population. Compare that to 14% of ACE funding which goes to opera alone. Funding is heavily skewed to the major arts institutions and to assimilating (some would say encouraging) Black communities into accessing niche art forms produced and curated by white people. 

Given the weight of investment committed to the major institutions, ACE’s diversity strategy – and budget – have been directed at diversifying the boards, staff and content of the existing major opera houses, theatres and museums. It has not attempted to redistribute funding equitably to create a wider diversity of institutions and art forms. 

No matter how strong the voices are, no matter how much we bring lived experience to the centre of the decision-making process, these views are inevitably mediated by those in power, who are predominantly white. 

White leaders must not exclude themselves

This is what drives the struggle between the disparate parts of the Black communities to be heard. There is no monolithic lived experience. Yes, there are common lived experiences, but when seeking solutions to the problems we face, there are too many views and perspectives to be heard.

Ultimately someone decides on which lived experiences to privilege. To exclude white voices from the conversation makes no sense, and is not possible given current power structures. So it is important that white leaders do not exclude themselves, shielding behind the politically correct notion of empowering those with lived experience.

You are the power brokers and it’s important to be transparent; to acknowledge that in your decision making some voices get heard while others are silenced. The work, therefore, lies in more equitable funding which would enable a wider range of interventions from a more diverse range of lived experiences. 

The money is there. Your work is not to remove yourself from the conversation but to distribute it equitably.  

We are keen to keep the conversation going. To read more and share your thoughts on this or other articles, connect with me on LinkedIn

NB. We have used the term Black. We recognise the diversity of individual identities and lived experiences, and understand that Black is an imperfect term that does not fully capture the racial, cultural and ethnic identities of people that experience structural and systematic inequality.

NB. Although we agree that equitable funding is important for all groups, we are talking specifically about racially equitable funding at this time.

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We Need To Talk About Race (article)

We Need To Talk About Race (article)

For the last 12 months I have been publishing regular articles on racial inequities in the arts with the aim of driving more open conversations about racial bias, its causes and practical solutions. While engagement with the articles is high, there is hesitancy among all demographics when it comes to sharing opinions publicly. More than 50% of responses I receive have come via direct messages rather than publicly shared comments. 

When asked, people gave a variety of reasons for choosing not to share their views publicly. These include issues of privacy, employer constraints (such as working for a public broadcaster), not wishing to appear ill-informed and a belief that as a white leader you should leave the conversation about solutions to racial equity to people with ‘lived experience’. Each of these reasons – and there are more – would merit an article on its own. In this piece, I focus on what I think is the biggest barrier to participation: political correctness. 

The readers of my articles – who include senior leaders, managers and administrators in the arts – often have strong, interesting and important perspectives. However, when asked, people from all communities say they are uncomfortable sharing their opinions because they are fearful of saying the wrong thing and being judged.

Fear of saying the wrong thing 

Conversations on race generate emotion. They can ‘trigger’ people and opinions can be received with judgement. They can become a minefield of political correctness. When sharing views on the extent of racism, its causes and how it might be solved, you risk causing deep offence if your opinions are deemed to be insufficient (not radical enough) or inappropriate. Online, this can lead to personal attacks which can quickly be amplified, ending in condemnation and a risk to professional reputation. 

The term ‘racist’ is one of the most unacceptable labels in our society. No one will publicly admit to being racist; not even supporters of far-right political parties, much less more left-leaning communities in the arts. Any potential accusation sparks fear to the heart, making open debate more difficult. 

The severe and multiple impacts of racial injustice make negative reactions natural. But if our goal is to end racism, we must question the extent to which public shaming helps us – or not. Racial prejudice can’t be ended without forensic diagnosis of the problem. To achieve this, open conversations are critical. The more people engage, the better our collective understanding of the problem and the more effective the solutions become.

There absolutely needs to be room for challenge, but challenge that is constructive. This is harder to do when tensions are high. To take some heat out of these conversations and shed more light on the extent of racism, it’s important to find a new and more socially acceptable definition of the term ‘racist’. One that people don’t necessarily feel proud of but can at least ascribe to, with regret but not shame. 

De-weaponising the word ‘racist’

Ibram X Kendi’s work on anti-racism helps with this. He contends that there’s no neutral position on racism: if you are not pro-actively ‘anti-racist’ then you are racist. He defines racism as any idea which suggests that Black communities are responsible for the systemic disadvantages we experience. What’s interesting is that, for Kendi, although holding such views is highly problematic it is not sufficient cause for writing someone off. 

He understands that this thinking is itself a product of systemic racism and that we are all subject to it. Black, white, left wing or right wing. Racism in his world has no colour or political affiliation. He freely admits to having held racist opinions himself and says the same of some of his heroes like Frederick Douglass and Barack Obama. So, for him, racism should not be used pejoratively, but simply as a descriptor of a way of thinking. 

In conversations about race, the reaction to anything deemed ill-informed or politically incorrect is often criticism in which racial prejudice is either inferred or implied. Any accusation or suspicion of racism is toxic so many prefer to remain silent or express their views in a safe space rather than running the gauntlet of sharing their opinions publicly. Kendi’s widening of the definition makes racism more ubiquitous so it’s harder to judge others as most of us are likely to have been guilty of racism at some point in our lives. 

Power and responsibility still matter 

None of this lets the predominantly white leadership of our sector off the hook. In fact, it may create the space to better hold them to account. While in Kendi’s view we are all likely to be guilty of racist thinking, ultimately it is still those in power that have most responsibility to change things. Using his approach, we can de-weaponise the word ‘racist’ and reduce its emotional impact in conversations. 

With a less polarising definition we are free to name racism where we see it without the shame and possible consequences that come with it. We can avoid the emotion that prevents us from fully focusing on the job in hand, gain a better understanding of this pernicious problem and move towards the implementation of solutions. 

This won’t be easy: it will require patience by some, bravery by others and goodwill by all. We are all gatekeepers in these conversations. Let’s begin, one conversation at a time, starting here!

We are keen to keep the conversation going. To read more and share your thoughts on this or other articles, connect with me on LinkedIn

 

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Is racial equity a zero-sum game? (article)

Is racial equity a zero-sum game? (article)

The question of whether increased funding to Black-led organisations necessarily would mean less funding for White-led organisations is an important one. Is equitable funding a zero-sum game: a right or benefit won by one side is lost by the other?

The importance of the question is that it illustrates the scale of the problem to be fixed. It represents the extent to which White leaders and their organisations will need to sacrifice power and financial status to achieve equitable funding. It sheds light on the degree of inertia towards meaningful change and initiatives that work. 

Clearly, the higher the level of personal sacrifice and risk to lifestyle and livelihood, the more resistance there will be to making the change that is needed to achieve a fair funding system. By extension, if there is increased resistance, the answer also reveals the extent to which Black leaders will need to take the same personal risks to their status and financial security to challenge those who have control of, and benefit from, current resources, for a fair settlement.

If equitable funding remains a zero-sum game, there are serious implications for Black and White leaders alike. At a time of heightened awareness of racial inequalities, Black leaders are less willing to tolerate the status quo. But in a zero-sum system, a fairer distribution to Black-led organisations would mean defunding incumbent institutions, which may create a backlash from a predominantly White-led sector. The moral case for doing this is strong, but the personal implications on the lifestyles and livelihoods of White leaders would make this hard for them to swallow.

An underinvestment of £126m per annum

It is vital that we change the current ‘win-lose’ situation by increasing overall funding into the arts and creative industries so that we avoid the inevitable resentment, division and conflict that comes with ‘losing’. There are several ways of achieving increased funding including government policy, corporate social responsibility and public sector investment. 

An estimated £1bn of public and private grants is spent on arts and culture each year. Of this, only an estimated £24m (2.4%) goes to Black-led organisations. This represents an underinvestment of £126m per annum. To achieve equitable funding within a decade would require an additional £1.26bn to Black-led organisations. Without significant extra cash, equitable funding in the arts inevitably becomes a contest between Black and White leaders over the finite pot of funding available.

This direct conflict of personal interest and aspiration between Black and White leaders is unlikely to be constructive, nor is it comfortable. It forces fundamental questions. What are we as Black leaders willing to risk in challenging those in power to achieve equity?  And what are we as White leaders willing to relinquish in terms of power and status – and perhaps even personal income – to achieve a fair distribution of funding? 

In a zero-sum scenario, I am committed to advocating and campaigning for racial equity, putting me in direct conflict with the personal interests of my White counterparts, some of whom I rely on to fund my projects. Such infighting is unlikely to end well for anyone and, given the structural power imbalances, least of all Black leaders.

Ways of achieving increased funding

To avoid counter-productive conflict, we must urgently explore ways to increase the funding pot. There are many options for doing this. 

1 – Government intervention through various means including:

  • a racial equity recovery fund that matches the help given to established and mainly White-led cultural institutions to the tune of £2bn over 12 months;
  • using some of the c.£2bn from Big Society Capital to fund Black organisations. This money came from dormant bank accounts including from Black communities;
  • setting equitable quotas for Arts Council England and other public funders; and
  • enforcing Charity Commission guidelines to fund equitably. It is a legal obligation, but not one they currently enforce.

2 – Reallocating some of the billions of pounds of endowments held by funders to deliver social impact, as suggested by Sir Ronald Cohen in his book ‘Impact’.

3 – A requirement for commercial businesses in receipt of tax benefits from a Comprehensive Spending Review to redistribute them equitably. 

4 – Impact investment in social enterprises with innovative ideas that can deliver social benefit and create scalable solutions. These can deliver financial returns to both investors and the social enterprise – and save government money in the long term. What Sir Ronald called a ‘win, win, win’ scenario. 

We must address the personal dimension head on

The political arguments for equitable funding are well understood. But in the end, as human beings, it is the personal dimension that prevents this from happening. To paraphrase the American feminist, Carol Hanisch, the political is inevitably personal. Without addressing the personal dimension head on we are unlikely to develop effective policies and initiatives to fix the problem. 

Our options are clear: continued inequitable funding, redistribution within existing budgets, or redistribution through increased budgets. The first option is untenable, the second unworkable and so we are left with the third, which is eminently achievable, and within a reasonable time frame. 

We should act now, Black and White leaders together, rather than in competition, so another decade isn’t allowed to pass without effective action.We are keen to keep the conversation going. To read more and share your thoughts on this or other articles, connect with me on LinkedIn.

NB. We have used the term Black. We recognise the diversity of individual identities and lived experiences, and understand that Black is an imperfect term that does not fully capture the racial, cultural and ethnic identities of people that experience structural and systematic inequality.

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Addressing racism in football: punishment vs rehabilitation (article)

Addressing racism in football: punishment vs rehabilitation (article)

We can punish fans who racially abuse Black players. We can kick them off social media, ban them from football matches, sack them, fine them. But we cannot move society towards greater tolerance through punitive actions alone. Nor can we completely silence racist speech. As things are currently structured, it will inevitably find expression somewhere.

Over a decade ago I shared some personal stories from my childhood which illustrate how racist ideas of Black inferiority and white supremacy are endemic. 

I am in the school library (aged 15) talking to Martin about football. I say how ‘crap’ the England team is. Martin responds: ‘What have Black people ever contributed to us?’ I know what he’s asking. Any answer I give is to save face. (Pele? Michael Jackson?) I don’t question his view that Black people have not contributed – it is true that we have contributed nothing of worth, otherwise, surely, I would have been taught about it? My trust in the British education system is absolute.

 The weekend before that conversation, this happened:

I am at home alone engrossed in England playing Scotland. In the final minute, Scotland scores a winner. The whistle blows and I feel sick. My cousin walks in and she’s shocked that I’m crying. ‘Don’t you know those England fans would tear you limb from limb if they met you on the street. Don’t cry for England, Kevin.’ Now I sob. The game is lost and in an instant she has ripped apart what fragile identity I was holding onto. She has said what I had always felt: I don’t belong.

 

This sense of not fully belonging is at the heart of the present-day experience of Black football fans. We want to belong, and we trust that we can. We emotionally invest in being fans, but the additional pressure felt by many Black supporters as Rashford, Sancho and Saka took their penalties was a different and separate experience from white supporters. In a visceral way, they were representing us, the Black community; they were shooting to win a football match, but also for our collective sense of belonging. The rejection that followed, even if only by a few white fans, inevitably felt to the players and many Black fans like a rejection by the country. 

Our belonging is tenuous because it is conditional on performing, on not stepping out of line from the expectations set by society. When the unwritten rules are broken, the connection you thought you had with the world around you breaks with it. I considered Martin to be my friend at school, but his ability on the one hand to accept me, but to then completely reject me when I criticised the England team, was emotionally jarring. 

I spent many years dissociating myself from my passion for football. For a long time, the only way I could enjoy a match was by not committing myself emotionally to the outcome. I knew the sense of tribalism that football evoked and was fearful of the racism and rejection that accompanied it.

Only now can I watch a match – and commit emotionally to my hoped-for outcome – without this fear. This freedom comes from remembering that racism, while being an individual act, is cultivated by society. 

With this perspective, the hurt I experienced at Martin’s rejection – and from the fans after the Euro 2020 final – can be felt but without being undermined by it. I am able to see him (them) not only as a beneficiary of the system by virtue of being white but also as a product of the system. We had both absorbed the same message: one of Black inferiority. Despite out-achieving him academically, in sport and in music he could crush me with a single question. No matter how much I achieved, he had an ace card through his sense of innate superiority and belonging. It was never an explicit message, but we both understood it. We absorbed it through the education system, it was embedded by the media, and then spread through the population at large.

This does not excuse what Martin said, or what a few racist England fans did after the Euro 2020 finals, but it frees me from the emotional rollercoaster of the experience. This may be the seed from which a longer-term solution can grow. 

So, returning to my question: do we punish or ‘de-radicalise’ racists in football? We certainly need to recalibrate our response. While messages of support for players are vital in providing succour in response to these highly emotionally charged experiences, punitive action, no matter how satisfying it might feel in the short term, only exacerbates the problem in the long term if not delivered hand-in-hand with rehabilitation and re-education.

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Why Funders Must Pledge To Fund Equitably (article)

Why Funders Must Pledge To Fund Equitably (article)

I was optimistic about the possibility for change to the stark and urgent problem of only 2.4% of regular arts funding going to BAME* organisations when the BAME population is 14%. But as I plan to launch Create Equity’s campaign for arts funders to pledge to distribute their funding equitably within the next ten years, that optimism has waned.

Although I have many agreements in principle from initial conversations with funders, there has been no rush of firm, specific commitments, and it’s clear that I will face considerable inertia in achieving this. 

What are you waiting for?

Grouped as themes, there are four reasons for resistance to signing the Create Equity Pledge.

  1. The tyranny of choice – While many are beating a drum for urgent change, funders are hesitant about which initiatives, if any, to sign up to. New projects being developed to track the distribution of arts funding are preferred by funders because, while they will analyse how funders distribute their grants, they will not commit funders to a set quota. This is more likely to have impact but is also higher risk.
  2. All inequalities are equal – Some don’t want to commit to funding equitably on race before doing the same on the other eight excluded characteristics. They want to address all inequitable funding at the same time. In my experience, this means they often don’t commit to anything. Either that or, given finite time and funding, the race agenda gets diluted.
  3. What does success look like? – Some want to negotiate what counts as part of the quota. For example, can they include organisations which are white-led but which aim to serve BAME communities? This may feel lower risk as it offers a wider field to address. But it will also likely dilute the impact and significantly slow things down as they work through how to implement more far-reaching policies. 
  4. Leave us alone – Some want to make the change to equitable funding without a Pledge (and the monitoring and accountability that goes with it). They are comfortable with their current approaches to change and instinctively protective of reputational risk. So they are reluctant to commit publicly to a quota which, if they fail to meet it, could become a ‘hammer’ to hit them with.

I’ve reached the conclusion that funding inequalities are so extreme that to argue about these technical concerns is time wasted on making real progress. In the end, I can concede to all but one of them. Funders can sign a different pledge (instead of Create Equity’s) if it includes a quota; conflate all underinvested groups if they want; or draw the boundary of what counts as part of the quota as broadly as they like. But the need for a public pledge that is time limited, and that can be measured and monitored, with clear accountability, is a must. 

Why past efforts have failed 

Nothing less than a fundamental shift in the power relationship between funders and BAME communities can solve this problem. The numbers and conflicting policies which underpin funding inequalities speak for themselves. 

If Arts Council England (ACE) were to increase funding to BAME organisations at 2% above inflation in all future funding rounds, it would take 140 years to meet the Create Equity Pledge. Its ability to move faster is heavily constrained by resources, competing priorities and government influence.

Those currently funded by ACE are more likely to get funded again. Over the last two spending revues, some 90% of funds went to previously funded organisations. So only around 10% is available to new recipients at each spending review. Even if all of this were allocated to BAME organisations, ACE would not meet the target for equitable funding. 

Another issue is when policies conflict. The policy to drive a fairer percentage of grants to the regions inadvertently runs counter to racially equitable funding. A disproportionate number of BAME-led organisations are based in London and as a result, nearly half of ACE’s total funding for BAME-led organisations goes to those in London. So geographical redistribution inevitably reduces either the overall number of BAME organisations who get funded, or the level of grants these organisations receive. Without significantly increasing the money pot, one form of equity can negate others.

Equitable funding, by any means possible 

My initial optimism has turned to pragmatism for this reason. The Create Equity campaign is both a pledge and a research project. If funders cannot pledge we will make determined efforts to understand their reasons. And with funders who do sign up but don’t meet the pledge, we will also seek to understand why. 

We plan to produce a report outlining the constraints, suggesting solutions and, where necessary, we will develop projects to deliver these solutions. It’s only by understanding and evidencing the limits of our current system that we can make the case for something new and more equitable. 

Equitable funding is the mission of Create Equity, by any means possible.  

Join the conversation on Linkedin.

We have used the abbreviation BAME. We recognise the diversity of individual identities and lived experiences and understand that BAME is an imperfect term that does not fully capture the racial, cultural and ethnic identities of people that experience structural and systematic inequality.

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Funding BAME Creativity (article + video)

Funding BAME Creativity (article + video)

Exploring The New Normal

Two weeks ago I produced an online event with MeWe360 ‘Funding BAME Creativity – Exploring The New Normal’. The aim of the event was to ‘dig deep’ into the systemic racial bias in UK arts funding.

Bringing together major funders in the sector, our panelists included Francis Runacres, Executive Director, Enterprise & Innovation, Arts Council England;  Dame Caroline Mason DBE, Chief Executive, Esmée Fairbairn Foundation; and Genevieve Maitland Hudson, Deputy CEO, Social Investment Business.

I was interested to hear their various perspectives on several issues, most importantly on the structures that have kept arts funding racially biased for decades. But in addition, I wanted to understand what they had learned from Covid and the Black Lives Matter movement about the need to fund equitably.

Looking forward, I wanted to understand their thinking on what a new, more equitable funding system could and should like. As people making the funding decisions, I felt it was important to hear their views.

The event was inspired by an Arts Council England funded research paper by myself and James Doeser on the impact of Covid and lockdown measures on BAME entrepreneurs. It highlighted the invisibility and underfunding of BAME entrepreneurs pre-Covid; how during Covid some BAME entrepreneurs experienced increased visibility and, in some cases, increased revenues due to the Black Lives Matter Movement.

As we start to emerge from Covid there is a real desire by BAME entrepreneurs for a new settlement. One in which we remain visible and are funded equitably.

An open, honest and free-flowing discussion

What follows is an open, honest and free-flowing discussion, expertly facilitated by Mohit Bakaya, Controller at Radio 4.

The panel of arts funders were joined by a sub-panel of sector experts who offered their insights from the perspective of grant recipients, BAME creative entrepreneurs, researchers and arts consultants.

Conversations on race are never easy. I was delighted we were able to explore difficult issues without embarrassment or guardedness, though inevitably there were one or two moments of vulnerability. I want to thank all panelists for their honesty and candidness in contributing to an illuminating conversation.

We are keen to keep the conversation going. Let me know what you think of the event and if you’d be interested in being part of a wider follow-up discussion, you can get in touch here.

 

 

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